Madeleine Harricks

The design of Nomada Sans is informed by the examination of several iconic sans serif typefaces, incorporating both lucidity and grace. The result is an entirely new and original typeface family infused with Latin flair. Nomada Sans reveals the essence of the Collection: Here, the structure is reduced to the max. The family comes in nine weights from the most delicate Hair to a punchy Extrablack, all with true italics. In the medium weights, Nomada Sans is a pleasant multi-purpose face and reads well in body copy, too. The generous x-height and open shapes ensure excellent legibility in even the smallest text sizes, while the lightest and boldest weights deliver impact to headlines and other display uses.

Gloss & Bloom is rough script font made with a brush pen. This font is made from the awesome work of Sean Delloro.

Enjoy this natural brush pen script font to create cool logotypes, posters or invitations.

The full commercial version comes with a complete set of alternate glyphes and a wide selection of underlining styles and splaters.

This font contains:

Uppercase & Lowercase font
Stylistic Alternates
Lowercase and uppercase alternates
A set of 14 underlining styles
8 Ligatures
6 splatters
OpenType Features

Bricbrac is a layered family that allows different combinations. The typeface is full-cap, with a squared style, the font doesn’t contains any curve. The different styles gives 3D effect to the letters and the typeface user can play with the Lines and Pattern effect.

Bricabrac consists in a 9 styles family. This is a monoline typeface and the variety of combinations and style make it perfect for magazine and poster design.

The fonts have an extended characters set to support Central, Eastern and Western European languages.

Notice: The spacing is optimized for the version with volume, therefore the fonts should always be used with the 3d volume effect.

Majora is a slab serif typeface which derives its name from a Portuguese historical toy manufacturer. The font comes in 8 styles, ranging from a delicate Thin to a robust Black, with matching italics and an upright version of stencil fonts, resulting in a total of 24 weights.

Majora is well-suited to a wide range of design projects which include packaging, editorial design, screen use, etc. Its humanistic features and moderate contrast between thick and thin strokes make it also suitable for long block of texts while having a high degree of legibility. The font includes a set of alternate glyphs which help give your compositions a different and unique look.

The Stencil version was specially designed for use in signage, packaging, titles and headings.

Majora contains a set of 520 characters that support over 200 Latin-based languages.

Commercial Script No2 is a bold weight of a moderately flourished script published by SoftMaker.

Disco is a disco-era typeface published by SoftMaker.

This is a font imitating the stage of outline construction of letters using drawing tools - compass and ruler. It is very geometric (with auxiliary lines, axes, centers of circles, tangents, and conjugation of circles), although the circles are somewhat compressed from four sides. The second style, which plays the role of Bold style, is a hatched version of the Regular style.
The font has very small elements that appear in a sufficiently large size, so it is better to use it for large compositions, in particular, advertisements, posters, large headings, etc.
The family is named “Khachatur” after the name of the father of designer Ruben Tarumian — architect Khachatur Hakobyan, his first master.